A butterfly flies from the mountain to the city. Sang-Kyu, who works in a company, buys a house in the suburbs and lives with his wife and daughter, Yun-Jeong. But Yun-Jeong becomes a somnambulist because of the illusion of a butterfly flying to the house. Sang-Kyu happens to know Mi-Wu, a singer, who loves Song Cheol-Ho but wanders in her life after his death. On the other hand, Yun-Jeong regains her consciousness with the help of an English psychicist and a nun. After Sang-Kyu has a sex with Mi-Wu, he falls out of the window and loses his consciousness. As she feels affection for Sang-Kyu, Mi-Wu becomes a butterfly in the soul world and leaves him.

Hajin works at a company that's going through financial difficulties and hasn't been able to pay her for months. Gangseok has a well paying tuition job but his student and family debt and the fact that his mother is in a coma means that he's always short on money. They are both struggling to make it in this cold and difficult reality we call life. One day they end up at a blind date service meeting party and find that they are 98% compatible with each other. Certain random happenings makes Gangseok want to believe that Hajin is the one. But there's one secret that they can't share which is that they're both so poor that they're living at a cheap student hostel. Will they be able to overcome their current situation of hidden poverty and realize true love? Or will the harshness of reality split them apart? A touching and yet coldly realistic love story...

Hajin works at a company that's going through financial difficulties and hasn't been able to pay her for months. Gangseok has a well paying tuition job but his student and family debt and the fact that his mother is in a coma means that he's always short on money. They are both struggling to make it in this cold and difficult reality we call life. One day they end up at a blind date service meeting party and find that they are 98% compatible with each other. Certain random happenings makes Gangseok want to believe that Hajin is the one. But there's one secret that they can't share which is that they're both so poor that they're living at a cheap student hostel. Will they be able to overcome their current situation of hidden poverty and realize true love? Or will the harshness of reality split them apart? A touching and yet coldly realistic love story...

Well-known faces from the worlds of entertainment, sport and politics sing for survival on stage at the Helix - all in the name of charity.

Yoo Ji-Na has been a popular singer for the past 20 years, but she holds pain inside because of something she abandoned when she was younger. Meanwhile, Jung Hae-Dang began working as a Yoo Ji-Na impersonator to support her family after her father lost his job. She sings on stage at a club and tries hard to mimic Yoo Ji-Na's songs.

In 1950s, Chinese Civil War ends with the defeat of Republic of China and the establishment of Communist China. The 93rd Division's soldiers take their families with them, exit southwestern China and enter northern Burma (Myanmar). The hike through forest is full of disasters and short of supplies, but the survivors reach and settle within border of Burma. They build a village, and ally with local armed gang to resist Burmese government's attacks. Later, the relocated government of Republic of China offers to take the soldiers and dependents to Taiwan, but some are disappointed with the government and decide to stay.

A sequel to her earlier Black Rectangle, and reminiscent of Evelyn Lambart and Norman McLaren’s groundbreaking animations, Rhayne Vermette’s buzzing miniature A Black Screen Too is a burst of colour and movement undercut by darkness.

An elegy to Diane Burns on the shapes of mortality and being, and the forms the transcendent spirit takes while descending upon landscapes of life and death. A place for new mythologies to syncopate with deterritorialized movement and song, reifying old routes of reincarnation. Where resignation gives hope for another opportunity, another form, for a return to the vicissitudes of the living and all their refractions. 　　“I’m from Oklahoma I ain’t got no one to call my own. 　　If you will be my honey, I will be your sugar pie way hi ya 　　way ya hi ya way ya hi yo.” 　　— Diane Burns (1957-2006)

An elegy to Diane Burns on the shapes of mortality and being, and the forms the transcendent spirit takes while descending upon landscapes of life and death. A place for new mythologies to syncopate with deterritorialized movement and song, reifying old routes of reincarnation. Where resignation gives hope for another opportunity, another form, for a return to the vicissitudes of the living and all their refractions. 　　“I’m from Oklahoma I ain’t got no one to call my own. 　　If you will be my honey, I will be your sugar pie way hi ya 　　way ya hi ya way ya hi yo.” 　　— Diane Burns (1957-2006)

Wealthy construction mogul Sam Ching and cabaret dancer Milan Sit fall madly in love with one another despite the class differences that would keep many couples apart. However, what Sit doesn't know is that Ching is the man responsible for razing a building representing cherished memories from her childhood.